"I was interested in creating fictional worlds and wanted to show that through the human body," says Çağla Çağlar, who first picked up a camera at the age of 15, inspired by her grandfather who was a professional photographer.
While she was getting to grips with her camera and its functions, Çağla focused predominantly on landscapes and still life before moving onto portraits of people, which she immediately fell in love with. When she turned 18, Çağla enrolled at the Istanbul Topkapi University (then known as the Plato Vocational School) to study photography and videography. "Learning the theory of photography and film was very useful to me," she recalls. "I learnt the history of art, which expanded my horizons, and I learnt the technical aspects of my trade in applied lessons."
CINEMA / DOCUMENTARY & PHOTOJOURNALISM
Çağla Çağlar
Çağla's first job in the industry was as an Assistant Director on a television sitcom, Sen Harikasın, which aired on a national channel in Turkey. She continued to work in TV and on commercial sets for 10 years alongside working as a photographer, shooting simple but emotive portraits and posters for theatre productions. Once established in the industry, Çağla began writing, producing and directing her own short films – the first being Minval, which aired in 2016.
As for the work that she's most proud of, Çağla says it's the music video she created for artist Minstrel's song, Back to Where You've Never Been. "I love taking photos in a series because it gives me a chance to show my cinematic perspective," she says. "This is the piece that satisfies me most in terms of composition and cinematic quality."
Specialist areas: Music videos, short films
Favourite kit: Canon EOS C500 Mark II
Canon EF 50mm f/1.2L USM
Çağla's most recent work includes collaborating with artists that she can develop a good working relationship with on music videos, such as for Deniz Bayoğlu's song Strong, shot on a Canon EOS C70 (above). She also makes short films that deal with psychological topics presented through a central character.
With experience in all aspects of photography and cinematography, Çağla prefers to take on projects where she has full creative control. By understanding the entire process, she is able to create powerful fictional worlds that draw audiences in. "I have been interested in cinema for as long as I can remember," she says. "The biggest advice I can give to those like me is to not give up."
What inspires your work?
"I take inspiration from everything that affects my emotional state – music, movies, where I live, weather conditions. I compose emotional states and events through the human body, and prefer simple but effective visuals."
How do you tailor your approach to tell stories in a way that reflects your style?
"I choose my lens according to the subject I will shoot. I generally prefer wide or medium lenses because telephoto lenses narrow my field too much. I prefer soft tones, so I avoid creating scenes with too much contrast, and when shooting externally, I adapt my settings to create a consistent aesthetic."
How does your approach differ between each piece of work you make?
"I usually write and direct short films myself, which makes me freer. I can express my own feelings in my own language. When I'm shooting commercial projects, such as music videos, all decisions are made by a group of people. The artist will share with me what they feel about the music they make, and I make something that I hope aligns with their thoughts. I love my work, but I feel the most free when I'm working on personal projects."
What is the most rewarding part of your job?
"It makes me happy to know that my work is valued. It encourages me to have my photographs exhibited, and to have my films watched and appreciated. Knowing that people appreciate my work is an important motivator for me, as I think it must be for any artist."
One thing I know
Çağla Çağlar
"There is nothing that can't be achieved when you work systematically. This industry has taught me to be patient and to work hard. There are many things that can dissuade artists from continuing, such as financial instability or the feeling that your voice isn't being heard, but if you can protect yourself mentally and carry on regardless, you will eventually reach your goals."
Instagram: @caglacaglarr
Vimeo: @caglacaglar
Çağla Çağlar's kitbag
The key kit that the pros use to take their photographs
Cameras
Canon EOS C500 Mark II
A 5.9K full-frame sensor packed into a compact and reliable Cinema EOS body. "Currently, the EOS C500 Mark II is the camera I use most for my clips," says Çağla.
Canon EOS 5D Mark IV
Uncompromising image quality from a camera body that's built to stand the test of time. "I started with a Canon EOS 400D and progressed to the Canon EOS 7D, but now shoot all my stills on a Canon EOS 5D Mark IV," says Çağla.
Lenses
Canon EF 16-35mm f/2.8L III USM
A premium quality ultra-wide zoom lens for when you need to capture the whole scene. "35mm is my favourite focal length, but sometimes I need to go wider, so this zoom lens is a great tool," says Çağla.
Canon EF 50mm f/1.2L USM
A professional L-series lens, perfect for shooting in low light or when you need extreme depth of field control. "I like being able to shoot what I see, so I like to work with 50mm primes," says Çağla.
Canon EF 70-200mm f/2.8L IS III USM
Fast, flexible and built for any assignment, this zoom lens is favoured by photographers in all genres. "I rarely use a telephoto lens, but when I need one, this 70-200mm is the only choice," says Çağla.
Related articles
-
ARTICLE
What's the best kit for filmmaking?
When you're shooting video, the cameras and lenses have to fit the outlay you have available. Here, we lay out top options for filmmakers on lower, mid-range and higher budgets.
-
DOCUMENTARY
Making an award-winning minimalist documentary
Daniel Simpkins, winner of Canon Stories in Motion Young Filmmakers competition, talks about his work and how he made his winning short.
-
FILMMAKING
Canon's cinema lens range explained
Explore the professional cine prime, zoom and servo lenses that fuse cutting-edge optical technologies with innovative design
-
FILMMAKING
Immersed in the music: using one-shot filming
Filmmaker Danny Feng reveals his techniques and tips for one-shot filming of music performances with the EOS C70.
Canon Europe Ambassador Programme
Find out how the ambassador programme works, and meet the phenomenal photographers chosen to represent Canon.
Canon Professional Services
Members get access to CPS Priority Support, both locally and at major events; a priority Fast Track repair service; and — depending on your level of membership — free back-up equipment loans plus return shipping and discounts on maintenance. They can also enjoy exclusive members’ offers.